No Media Boundaries Like the DJ mixers that started it all, the NOX Series offer RCA inputs for your turntables, tape decks and CD players. They also feature mic inputs with our exceptional XENYX mic preamps for announcements, an impromptu rap, or any other vocal nuance. But unlike the DJ mixers of yesteryear, NOX Series mixers include USB connectivity so you can access your MP3 library or digitize your own creative mix, directly via your computer. If it can be clicked, spun or spoken, the NOX Series can mix it!
Calling All DJs Whether you’re throwing multiple elements into the mix, or just keeping it simple, there’s a USB-ready NOX Series mixer that’s ideal for you. The NOX606 packs a whopping 6 channels, the NOX1010 has five, the NOX303 has three, and the NOX202 and NOX404 each have two channels. All NOX Series models feature super-smooth channel faders and the infinium “contact-free” VCA-controlled crossfader for the utmost in reliability and smooth audio performance. The user-adjustable crossfader curves let you quickly adapt to various mixing styles.
A useful and powerful addition to NOX Series mixers is the internal effects engine. This processor offers 12 high-quality digital effects that can be assigned to the microphone, channel 1 or 2, crossfader A or B, or the main mix. Each effect has several parameters that can be adjusted to suit your purpose. In general, the TAP button is used to beat-sync the effect to the tempo of the music by pressing it in rhythm. The INTENSITY fader usually controls the wet/dry mix of the effect (how much is blended with the unaffected signal). The FREQUENCY knob can have various assignments. In beat-sync mode (engaged by tapping the rhythm with the TAP button), it will determine the tempo multiple. It can also adjust the rate on its own, if beat-sync is not engaged or not available.
Here’s a brief description of the FX available in every NOX Series mixer:
2XCOPY: Makes a copy of the signal, which is delayed by a defined time.
TAPE ECHO: A simulation of the echo effect that occurs between two tape reels, which has a warm, slightly decayed sound.
ECHO: A more modern delay effect, which is very useful for juggling beats and emphasizing musical phrases.
FLANGER: A flanger is a wave-like effect that modulates the signal.
PHASER: A sweeping phase shifter effect. It is similar to a flanger, except that it is enharmonic, producing a more “swooshing” sound.
LP and HP FILTER: A Low Pass filter cuts out any frequency above its parameter settings. A High Pass filter cuts out frequencies below its parameter settings.
AUTO PAN: Automatically moves the signal from one side of the stereo image to the other.
VOCODER: Creates a robot voice sound straight from the early days of electronic music.
REVERB: This is a classic effect that adds space and air to the sound.
REV REVERB: Reverse reverb.LMT+DIST: Band-limited distortion creates a tight, compressed and distorted sound to any signal.
Total Control The NOX202, NOX303, NOX404 and NOX1010 models provide superb tone control, thanks to a 3-band EQ and full-kill filters, Gain control and precise level meter per channel. Meanwhile, the NOX606 features 4-band channel EQ and level meter for MAIN output, plus a post-fader mono output to drive subwoofers. All NOX Series mixers feature extensive headphone monitoring and cueing options.
NOX1010 The 5-channel NOX1010 is ready for your input—literally! With a plethora of connectors, the NOX1010 can manage up to 14 independent signal sources, including everything from line-level to mics to USB devices. Features include a dedicated mic channel with 2-band EQ and TALKOVER function, internal beat-syncable digital FX (with TAP button for manual parameter entry), and VCA-controlled faders with fader start, allowing you to seamlessly integrate auto-start capable CD players. You also get our outstanding phono and XENYX mic preamps, which are renowned for their superior sonic integrity and wide dynamic range. The NOX1010’s enhanced monitoring section features a SPLIT/BLEND button, which allows you to combine cue and program sources or split them into phones left (cue) and phones right (main). Balanced XLR Master, Record and Booth Outputs provide exceptional versatility.